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Why grassroots data activists in Latin America count feminicide—and how this vital social justice work challenges mainstream data science.What isn't counted doesn't count. And mainstream institutions systematically fail to account for feminicide, the gender-related killing of women and girls, including cisgender and transgender women. Against this failure, Counting Feminicide brings to the fore the work of data activists across the Americas who are documenting such murders—and challenging the reigning logic of data science by centering care, memory, and justice in their work. Drawing on Data Against Feminicide, a large-scale collaborative research project, Catherine D'Ignazio describes the creative, intellectual, and emotional labor of feminicide data activists who are at the forefront of a data ethics that rigorously and consistently takes power and people into account.Individuals, researchers, and journalists—these data activists scour news sources to assemble spreadsheets and databases of women killed by gender-related violence, then circulate those data in a variety of creative and political forms. Their work reveals the potential of restorative/transformative data science—the use of systematic information to, first, heal communities from the violence and trauma produced by structural inequality and, second, envision and work toward the world in which such violence has been eliminated. Specifically, D'Ignazio explores the possibilities and limitations of counting and quantification—reducing complex social phenomena to convenient, sortable, aggregable forms—when the goal is nothing short of the elimination of gender-related violence.Counting Feminicide showcases the incredible power of data feminism in practice, in which each murdered woman or girl counts, and, in being counted, joins a collective demand for the restoration of rights and a transformation of the gendered order of the world.
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This study reveals that in medieval Dutch vernacular texts (from the Brabantine authors Jan van Boendale, Lodewijk van Velthem, and Jan van Leeuwen, and in the anonymous Boek van Sidrac) the treatment of individual and universal eschatological topics and themes, such as death, heaven, hell, purgatory, the Antichrist, eschatological people, and Judgement Day is dedicated to moral and ethical guidance to prepare oneself during lifetime for the afterlife. Central to all texts is the fate of the souls in the afterlife and guidelines to assure redemption on Judgment Day. This includes the ability to recognize the signs of the End properly. The vernacular eschatological discourse is considered as an inherent part of the intellectual emancipation of the laity in the later Middle Ages. This book is of interest not only to Dutch and German philologists, but also to historians and anyone interested in the history of religion, especially of eschatology and apocalypticism. This study was awarded with the 2013 Mgr. C. de Clercqprijs of the Koninklijke Vlaamse Academie van België voor Wetenschappen en Kunsten (Royal Flemish Academy of Belgium for Science and the Arts) for an outstanding work in the field 'History of Religions of Flanders'.
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In becoming socially active in their daily lives, citizens may be impacted by their daily work settings. How their work explains the social participation of citizens, however, needs to be better understood. Workplace democracy and active work settings - elements of workplace innovation - are relevant to stimulate citizens to become more active and is therefore relevant for social innovation. Digital technologies have profound impacts on work settings, as well in positive as in negative sense. The digital transformation needs to be better understood to see how it can help this active citizen. This chapter develops core ideas for a social innovation research agenda, starting from the future workplaces.
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Possono le pietre raccontarci qualcosa? Si possono imparare le lingue osservando i resti archeologici di Verona, Tarragona e Kalamata? Perché le lingue hanno una storia? Perché abbiamo bisogno di rappresentare le parole? In questo volume poniamo anche altri interrogativi e cerchiamo alcune risposte.
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Too often, observers of globalization take for granted that the common ground across cultures is a thin layer of consumerism and perhaps human rights. If so, then anything deeper and more traditional would be placebound, and probably destined for the dustbin of history. But must this be so? Must we assume--as both liberals and traditionalists now tend to do--that one cannot be a cosmopolitan and take traditions seriously at the same time? This book offers a radically different argument about how traditions and global citizenship can meet, and suggests some important lessons for the contours of globalization in our own time. Adam K. Webb argues that if we look back before modernity, we find a very different line of thinking about what it means to take the whole world as one’s horizon. Digging into some fascinating currents of thought and practice in the ancient world, the Middle Ages, and the early modern period, across all major civilizations, Webb is able to reveal patterns of "deep cosmopolitanism", with its logic quite unlike that of liberal globalization today. In their more cosmopolitan moments, everyone from clerics to pilgrims to empire-builders was inclined to look for deep ethical parallels—points of contact—among civilizations and traditions. Once modernity swept aside the old civilizations, however, that promise was largely forgotten. We now have an impoverished view of what it means to embrace a tradition and even what kinds of conversations across traditions are possible. In part two, Webb draws out the lessons of deep cosmopolitanism for our own time. If revived, it has something to say about everything from the rise of new non-Western powers like China and India and what they offer the world, to religious tolerance, to global civil society, to cross-border migration. Deep Cosmopolis traces an alternative strand of cosmopolitan thinking that cuts across centuries and civilizations. It advances a new perspective on world history, and a distinctive vision of globalization for this century which has the real potential to resonate with us all. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license.
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Statistical studies over the last forty-five years show that, although there are success stories, very many mergers and acquisitions do not result in the increased operating profits that economics textbooks would lead one to expect. As consultancy McKinsey have put it, ‘Anyone who has researched merger success rates knows that roughly 70% fail’. Yet—mysteriously—M&A activity has boomed across the globe, with a forty-fold increase in deals done each year now compared with four decades ago, in spite of the adverse general evidence. How can it be that talented, energetic, highly skilled, law-abiding, income-maximising participants in the M&A market will often promote mergers that lead to no operating gains, frequently with adverse effects on the wider economy too? Drawing on findings from a wealth of statistical analyses and case evidence from many businesses, the book presents answers to this merger mystery. In a synthesis of ideas from several disciplines, solutions are detected in misaligned incentives, distorted financial engineering and information asymmetry. By revealing how weaknesses at multiple points can interact and cumulate to produce inefficient outcomes, the discussion serves as a corrective to the overwhelmingly positive tone of most commentary on M&A, whilst also advocating changes in participants’ contracts, in taxation, and in regulation which could significantly reduce the number of mergers that fail. Designed to be accessible to a wide readership, the book will be of interest to investors, to M&A practitioners and commentators, to researchers and students of economics, political economy, finance, management and accounting, and—importantly—to policy makers working in these areas.
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In der vorliegenden Einführung werden die drei Werke Prokops ausführlich vorgestellt und auch übergreifende Themen, vor allem der Wahrheitsanspruch, die Quellen, die Glaubwürdigkeit und Methode sowie das Geschichtsdenken Prokops, auf dem aktuellen Stand der Forschung behandelt.
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Ce troisième volume définit le regard que le musulman du Moyen Âge pose sur la terre, l'eau, le ciel, les bêtes et les plantes. La terre, à travers ses montagnes, ses déserts, les campagnes et les sols, est inséparable de l'eau perçue essentiellement dans sa fonction nourricière, d'où l'importance de l'irrigation. Le ciel, considéré dans sa relation avec l'homme à travers le climat, surtout la pluie, capitale pour les zones arides où est installé en grande partie le monde musulman. Évocation enfin des bêtes et des plantes, zoologie et botanique cédant le pas à une description fondée sur le rapport de l'homme à la création tel que le définit l'islam.
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An understanding of the idea of imitatio that Cicero defends in his work reveals a way of thinking in dialogue with a tradition that the Roman orator never ceases to construct for political purposes. Hence, the study of Cicero the imitator provides us with an extraordinary example of the need that every human community has to construct an integrating narrative by resorting to the memory of the texts and events that favour coexistence and those that make it impossible. The memory of the former should incite us to imitate them; that of the latter, to reject them.
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The pernicious and damaging effects of incarcerating juveniles has long been a topic of concern and controversy for reform groups, policy makers, childcare practitioners and academics; such concerns are doubly compounded where the mental health needs of the confined young person are in question. Yet, while there is a considerable scholarly literature on the history of juvenile delinquency and juvenile justice systems more broadly, there have been few substantial treatments of the institutional detention of juveniles in the modern era outside of official and non-official inquiries into historical allegations of child abuse. Equally, aside from a small number of highly focused studies, there is a paucity of scholarly research on the history of the mental health of juveniles in secure settings. Here, I detail the change in our understanding of the juvenile offender from that of a degraded if redeemable moral agent in the nineteenth century to our current conception of the detained youth as a figure marked by psychiatric morbidity, behavioural disturbance and complex needs. One of my central findings is that the context of institutional confinement itself has been an essential factor in the long-term psychiatric pathologisation of detained juveniles. This framed the scale, manner and context of their frequent group conceptualisation as potentially dangerous and uniquely debilitated by psychiatric morbidity. This is not to argue that the presence of trauma and psychiatric morbidity amongst juveniles in custody is simply a historical construct. Nor is it an argument that the use of psychiatry for detained youths merely constituted yet another instance of factitious medical labeling for the purposes of social control. Rather I suggest that, historically at least, the deployment of psychiatric diagnoses and treatment facilities within the youth secure estate has often primarily served institutional or political needs rather than the needs of juveniles in custody.
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Figures of Chance I: Chance in Literature and the Arts (16th–21st Centuries) proposes a transhistorical analysis that will serve as a reference work on the evolution of literary and artistic representations of chance and contingency. Alongside its multidisciplinary companion volume (Figures of Chance II), it considers how the projective and predictive capacity of societies is shaped by representations and cultural models of a reality that is understood, to varying degrees, to be contingent, unpredictable, or chaotic. Giving special emphasis to the French context while also developing broad cross-cultural comparisons, this volume examines the dialogue between evolving conceptions and changing representations of chance, from Renaissance figures of Fortune to the data-driven world of the present. Written by recognized specialists of each of the periods studied, it identifies and historicizes the main fictional and factual modes of portraying, narrating, and comprehending chance in the West.
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This eBook is a collection of articles from a Frontiers Research Topic. Frontiers Research Topics are very popular trademarks of the Frontiers Journals Series: they are collections of at least ten articles, all centered on a particular subject. With their unique mix of varied contributions from Original Research to Review Articles, Frontiers Research Topics unify the most influential researchers, the latest key findings and historical advances in a hot research area! Find out more on how to host your own Frontiers Research Topic or contribute to one as an author by contacting the Frontiers Editorial Office: frontiersin.org/about/contact
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Focusing on the central and western parts of the region, this is the second in a series of five volumes that comprehensively document rock art in Upper Tibet. It examines a panoply of graphic evidence found on stone surfaces, supplying an unprecedented view of the long-term development of culture and religion on a large swathe of the Tibetan Plateau. The pictographs (rock paintings) and petroglyphs (rock carvings), host sites, and descriptions and analyses presented are the direct result of intensive fieldwork conducted by the author in Upper Tibet between 1995 and 2016. Information on rock art production techniques, subject identification, thematic class, mode of presentation, physical condition, estimated age, and relative location are supplied for each piece of rock art. In addition to the datasets, the book offers rock art site descriptions and assesses the cultural, religious and artistic development of these locations.
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The impetus for Charms of the Cynical Reason is the phenomenal and little-explored popularity of various tricksters flourishing in official and unofficial Soviet culture, as well as in the post-Soviet era. Mark Lipovetsky interprets this puzzling phenomenon through analysis of the most remarkable and fascinating literary and cinematic images of soviet and post-Soviet tricksters, including such “cultural idioms” as Ostap Bender, Buratino, Vasilii Tyorkin, Stierlitz, and others. Soviet tricksters present survival in a cynical, contradictory, and inadequate world, not as a necessity, but as a field for creativity, play, and freedom. Through an analysis of the representation of tricksters in Soviet and post-Soviet culture, Lipovetsky attempts to draw a virtual map of the soviet and post-Soviet cynical reason: to identify its symbols, discourses, and contradictions, and by these means its historical development from the 1920s to the 2000s.