Open Access Books

The twentieth century has spawned a great interest in Indonesian music, and now books, articles, and manuscripts can be found that expound exclusively about karawitan (the combined vocal and instrumental music of the gamelan). Scholar Judith Becker has culled several key sources on karawitan into three volumes and has translated them for the benefit of the Western student of the gamelan tradition. The texts in her collection were written over a forty-five-year time period (ca 1930–1975) and include articles by Martopangrawit, Sumarsam, Sastrapustaka, Gitosaprodjo, Sindoesawarno, Poerbapangrawit, Probohardjono, Warsadiningrat, Purbodiningrat, Poerbatjaraka, and Paku Buwana X. The final volume also contains a glossary of technical terms, an appendix of the Javanese cipher notations (titilaras kepatihan), a biographical listing, and an index to the musical pieces (Gendhing).

The volume, dedicated to the 44th International Conference of the Italian Union for Drawing, investigates the theme of ‘Transitions’, which particularly effectively represents our time and the current condition of the discipline of Drawing. The term, beyond its generic meaning of an intermediate stage in a process in which a condition changes from one state to another, has always been used in various fields, from music to geophysics. In fact, the disciplines of drawing have always been confronted with themes and issues relating to transitions from one condition to another. The history of representation tells us of transformations, even epochal ones, relating to ‘drawing’, with all that such transitions entail: suffice it to think of the evolution of forms of representation, of instrumental apparatuses, of the mutability of supports, of the analogical-digital transition underway, of the new modes of communication on platforms, of the hypertrophic offer of images also on the net that confirms Guy Debord’s intuitions relating to the new spectacularisation of society. Similarly, representation triggers transitions in the prefiguration and communication of design, the anticipation and foreshadowing of future events.The challenges posed by the digital pose open questions whose scope can only be glimpsed, such as the relationship between drawing and the act of modelling, and the construction of new paradigms of visual language and communication. ‘Transitions’, almost implicitly, points to possible futures, the evolution of technique and the search for new modes of expression; at the same time, however, it can suggest silences and reflections in a process of connection between history, theory, criticism and construction.

Laundering Black Rage: The Washing of Black Death, People, Property, and Profits is a spatial and historical critique of the capitalist State that examines how Black Rage—conceived as a constructive and logical response to the conquest of resources, land, and human beings racialized as Black—is cleaned for the unyielding means of White capital. Interlacing political theory with international histories of Black rebellion, it presents a thoughtful challenge to the counterinsurgent tactics of the State that consistently convert Black Rage into a commodity to be bought, sold, and repressed. Laundering Black Rage investigates how the Rage directed at the police murder of George Floyd could be marshalled to funnel the Black Lives Matter movement into corporate advertising and questionable leadership, while increasing the police budgets inside the laundry cities of capital - largely with our consent. Essayist/Performer Too Black and Geographer Rasul A. Mowatt assert Black Rage as a threat to the flow of capital and the established order of things, which must therefore be managed by the process of laundering. Intertwining stories of Black resistance throughout the African diaspora, State building under capitalism, cities as sites of laundering, and the world making of empire, Laundering Black Rage also lays the groundwork for upending the laundering process through an anti-colonial struggle of reverse-laundering conquest. Relevant to studies of race and culture, history, politics, and the built environment, this pathbreaking work is essential reading for scholars and organizers enraged at capitalism and White supremacy laundering their work for nefarious means.

Als organisches Baumaterial erfährt Holz in Zeiten der Klimakrise eine besondere Wertschätzung. Eingebunden in umweltschonende Ressourcenkreisläufe zeigt sich seine Innovationskraft, wenn es als Material Bestandteil neuer technologischer Entwicklungen und hybrider Verwendungen wird, die aktuellen und komplexen architektonischen Aufgaben gewachsen sind. Das neue Denken des Materials Holz als hochmodernem und veränderlichem Baustoff der Zukunft hat gerade erst begonnen. GAM. 17 nimmt Holz in seiner Vielschichtigkeit und seinem architektonischen Potenzial neu in den Blick und stellt dabei konstruktive und gestalterische Konzepte vor, die die Möglichkeiten des Materials für eine klimafreundlichere Bauwirtschaft ausloten. Ergänzt wird dies durch einen Rückblick in die Geschichte des Holzbaus und seine ideologischen Verstrickungen, die die Weiterentwicklung des Baustoffs lange erschwert haben. Mit Beiträgen von Reyner Banham, Urs Hirschberg, Anne Isopp, Jens Ludloff, Laila Seewang, Stephan Trüby, Anselm Wagner und anderen

This book explores recent developments, constraints and opportunities relating to the advancement of sexual and reproductive health and rights in Africa. Despite many positive developments in relation to sexual and reproductive health in recent years, many Africans still encounter challenges, for instance in poor maternity services, living with HIV, and discrimination on the basis of age, gender, sexual orientation or identity. Covering topics such as abortion, gender identity, adolescent sexuality and homosexuality, the chapters in this book discuss the impact of culture, morality and social beliefs on the enjoyment of sexual and reproductive health and rights across the continent, particularly in relation to vulnerable and marginalized groups. The book also explores the role of litigation, national human rights institutions and regional human rights bodies in advancing the realization of sexual and reproductive health and rights in the region. Throughout, the contributions highlight the relevance of a rights-based framework in addressing topical and contentious issues on sexual and reproductive health and rights within Sub-Saharan Africa. This book will be of interest to researchers of sexuality, civil rights and health in Africa. The Open Access version of this book, available at http://www.taylorfrancis.com/books/e/9781003175049, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

This book is a study of the cultural and political history of Christian Iraq, the Church of the East, the so–called ‘Nestorians’. This history is seen through the Chronicle of Seert, a medieval Arabic Chronicle that reuses sources written several centuries earlier. This monograph aims to isolate different layers of composition and looks for trends in the choice of material and the agenda of their historians. Each layer of the text provides insight into the social construction of ‘orthodox belief’ in Iraq and the church as an institution. A central narrative is the growing power of the bishops (catholicoi) of the Sasanian capital of Ctesiphon, their apostolic heritage, and their alliance with the Persian shahs. The monograph also considers the relationship of the catholicoi with monastic and scholarly centres and with Christian communities of the West. In each of these cases, the material that the Chronicle includes shows us how independent historical traditions were annexed by a narrative focused on Ctesiphon and its bishops. The monograph begins in the fifth century, when a series of abortive alliances between church and shah generated small-scale persecutions. It continues this story into the sixth and early seventh, when the church witnessed considerable growth in numbers and prestige. At each stage, we can see Christians rewriting the past to accommodate a new political and social situation, turning a murky past into a glorious golden age. The book concludes with a final chapter on the church under Muslim rule, when the Chronicle was compiled.

Leagues of Laughter traces how a Soviet-created youth game changed as students’ nation states collapsed, competed and went to war. The game, called KVN (Klub veselykh i nakhodchivykh, or Club of the Cheerful and Clever), spread to universities across the USSR in the 1960s. It is scored by a panel of judges, like figure skating, but is played in school and university leagues, much like football. KVN rocketed to mass popularity, oddly, due to Soviet censorship. Young people could not protest in essays, speeches or fiction, but the referents of live jokes are hard to prove. KVN became a forum for Aesopian free speech. Soviet pedagogues promoted the game as a wholesome, intellectual youth activity, leading to a preponderance of ordinary schoolchildren gaining at least some experience writing jokes. Even after the fall of the USSR, millions of young people across the former Soviet bloc continued playing KVN in schools, universities and semi-pro leagues. Drawing on fieldwork in Russia and Ukraine between 2015 and 2019, Garey compares KVN traditions in two post-Soviet nation states at war. A series of interconnected, cross-border stories spanning 60 years illustrates how laughter and oppression entwined in the long cultural context of the war in Ukraine.

The paper analyses a brief passage from the dialogue De lite inter Naturam et Fortunam by Albertino Mussato, in which two animal similes are employed. The sources of these similes are identified, revealing a combination of literary and poetic passages as well as of scientific treatises. Among the latter, Aristotle’s De historia animalium in the rare translation by William of Moerbeke stands out, whose circulation in early 14th-century Padua is discussed. Finally, the author reflects on Mussato’s use of elements drawn from the animal world, highlighting both the continuity and innovations compared to medieval practices.

This book provides an authoritative overview of the criteria and standards of the doctorate across a wide range of international settings, with a particular focus on the practices of examining. Presenting case studies and research from 13 universities in 13 countries across Africa, Asia, North and South America, Australia, and Europe, the book is based on in-depth interviews and comparative analyses of the PhD examining experience. It reveals the variations and similarities in different academic traditions and investigates the extent to which there are comparable expectations and standards across countries. It suggests that criteria and standards – both written and unwritten – are broadly similar, but shows that there is a need for much more explicitly formulated criteria and standards for an internationalised approach to doctoral assessment. Following on from the 2019 book The Doctorate as Experience in Europe and Beyond, this book will be of great interest to current and potential doctoral examiners, researchers of higher education, and university administrators.

Cultural and natural heritage are central to ‘Europe’ and ‘the European project’. They were bound up in the emergence of nation-states in the eighteenth and nineteenth centuries, where they were used to justify differences over which border conflicts were fought. Later, the idea of a ‘common European heritage’ provided a rationale for the development of the European Union. Now, the emergence of ‘new’ populist nationalisms shows how the imagined past continues to play a role in cultural and social governance, while a series of interlinked social and ecological crises are changing the ways that heritage operates. New discourses and ontologies are emerging to reconfigure heritage for the circumstances of the present and the uncertainties of the future. Taking the current role of heritage in Europe as its starting point, Critical Heritage Studies and the Futures of Europe presents a number of case studies that explore key themes in this transformation. Contributors draw on a range of disciplinary perspectives to consider, variously, the role of heritage and museums in the migration and climate ‘emergencies’; approaches to urban heritage conservation and practices of curating cities; digital and digitised heritage; the use of heritage as a therapeutic resource; and critical approaches to heritage and its management. Taken together, the chapters explore the multiple ontologies through which cultural and natural heritage have actively intervened in redrawing the futures of Europe and the world. Praise for Critical Heritage Studies and the Futures of Europe 'Filled with many fascinating and diverse chapters, this book vividly demonstrates the dynamism and breadth of critical heritage study of, in, and entangled with Europe today' Sharon Macdonald, Alexander von Humboldt Professor of Social Anthropology and Director of the Centre for Anthropological Research on Museums and Heritage (CARMAH) in the Institute of European Ethnology at Humboldt-Universität zu Berlin. 'Far from being restrictive, let alone chauvinistic, the multiscalar European focus of this book confirms the breadth and relevance of current critical heritage studies. With contributions addressing such topical issues as climate emergencies, urban landscapes, cultural industries, new media and identity politics – be they written by established scholars or by emerging researchers – it is ""Europe"" with all its shared grounds and recurrent divergences that comes into sharper relief. From this vantage point, readers of this compelling book will be better positioned for reflecting on and eventually influencing and challenging our heritage futures.' Nathan Schlanger, Professor of Archaeology, École nationale des chartes, Paris. 'This book addresses European heritage realities and futures through new voices, paradigms, and methods. It is a collage of tensions – practically a representation of Europe itself – through which to comprehend contemporary intersections of time, place, things, and meaning. It contributes to new vistas in heritage studies: the offer of design and imagination as methods; reckonings with data and climate change as seemingly uncontrollable actors; and the ongoing negotiation of ""criticality"" in the making of our responsibilities for the past in the present' Christopher Whitehead, Professor of Museology, Newcastle University.

Adopting a transnational perspective, this book takes a look at the art history of production, transport and logistics with its heterogenous actors, objects, institutions, and their interwoven stories. The production of art goes along with complex infrastructures that are often unseen and associated with political and ecological challenges. To what extent is mobility already taken into account in the production of art? What role do customs regulations, political border restrictions, and sustainability play? This publication focuses on contexts, networks, material flows and the conditions of production and distribution within the arts of the 20th and 21st century. Contribution to the growing field of infrastructural studies in art history from a transnational perspective Art history of production, transport and logistics Mapping the technical, political, and economic conditions of the cultural field

Japan’s Failed Revolution: Koizumi and the Politics of Economic Reform asks why, despite all the high expectations, the Japanese public’s desire for economic reform, and leadership of a majority coalition in a parliamentary democracy, the reformer Prime Minister Koizumi has not achieved the economic reforms expected of him since he surprisingly attained power over a year ago. To unravel this ‘puzzle’, Aurelia George Mulgan eschews the simplicities of both cultural and rational choice explanations and systematically tests the propositions in the comparative literature on ‘failed reform’. The result is one of the best books ever written about contemporary Japanese politics. It explains how, despite British-style parliamentary institutions, Japan’s very ‘un-Westminster’ traditional policymaking process involving the ruling party and the bureaucracy’s structure and linkage has stymied and will probably continue to stymie even a sincere and active Prime Minister’s best reform intentions. This book should be read by all political scientists, journalists, economists, and students interested in contemporary Japan. Ellis S. Krauss Graduate School of International Relations and Pacific Studies University of California, San Diego. The author takes a scalpel to dissect Japan’s dysfunctional political system. She shows with wonderful clarity and depth of knowledge why the Koizumi reforms are not succeeding, and why revolutionary political change is needed as a precondition for economic recovery. The book should be required reading for anyone involved with contemporary Japan. J.A.A. Stockwin University of Oxford.

Soziale Medien bilden im zunehmenden Maß einen Ort der Austragung und diskursiven Verarbeitung gesellschaftlicher und politischer Konflikte. Extrem rechte und salafistisch-dschihadistische Akteur*innen nehmen an diesen Auseinandersetzungen teil und nutzen sie als Plattform zur Propaganda. Der Band widmet sich der Frage, wie sich Mobilisierungs- und Radikalisierungsprozesse in sozialen Medien entfalten und unter welchen Bedingungen sie zu Gewalthandlungen in der realen Welt führen können.; Social media are increasingly becoming a space where social and political conflicts are carried out and discursively processed. Extreme right and Salafist/Jihadist actors participate in these conflicts and use them as a platform for propaganda. This volume is devoted to the question of how processes of mobilization and radicalization unfold in social media and under what conditions they can lead to violent acts in the real world.

Experimental Affinities in Music brings together diverse artistic, musicological, historical, and philosophical essays, enhancing a broad discourse on artistic experimentation, and exploring various experimental attitudes in music composed between the thirteenth and twentieth centuries. The golden thread running through the different chapters is the quest for inherently experimental musical practices, a quest pursued from interrogating, descriptive, or challenging perspectives, and always in relation to concrete music examples. Experimental is taken as an adventurous compositional, interpretive, or performative attitude that can cut across different ages and styles. Affinities suggest connectors and connections, convergences, contiguities, and adjacencies that are found in and through a diversity of approaches and topics. The texts share a common genesis: the lectures of the International Orpheus Academies for Music and Theory convened by Luk Vaes (2011) and Paulo de Assis (2012, 2013). The affinities found in this volume include essays by Lydia Goehr, Felix Diergarten, Mark Lindley, Martin Kirnbauer, Edward Wickham, Lawrence Kramer, Hermann Danuser, and Thomas Christensen, as well as interviews with pianist Leon Fleisher, with pianist-composer Frederic Rzewski, and with composer Helmut Lachenmann. (publishing partner ‘Orpheus Institute’)

Explore the comprehensive examination of stress and burnout in public service with this edited volume, compiled by Dr. Leonard Bright, featuring contributions from esteemed scholars worldwide. This book investigates the underlying causes, repercussions, and mitigation strategies associated with stress in highly demanding and critical professions. The chapters in this book comprise thorough literature reviews that provide extensive overviews of stress and burnout, present empirical research studies that scrutinize how work-related factors influence perceived stress and furnish public servants with easy, actionable exercises and insights to bolster their resilience and well-being in stressful public service occupations. This book is an invaluable resource for public service professionals, researchers, and educators interested in improving their understanding of the art and science of mitigating stress in public service workplaces.