Ernst Kurth und Sergej Taneev
Overview & Synopsis
The emergence of Linearity at the beginning of the 20th century represents a remarkable but yet rarely dealt with phenomenon in music history. Two main protagonists of the time were Ernst Kurth (Bern) and Sergei Taneev (Moscow), whose counterpoint theories formed the basis for the work of numerous musicians of the time. Although concerning the same subject, both theories show fundamental differences, in music-theoretical as well as in music-aesthetic respect. It turns out that these different philosophies are reflected in numerous works by composers such as Ernst Křenek, Artur Schnabel, Alexander Scriabin and Nikolaj Metner.
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Document Information
| Document Title | Ernst Kurth und Sergej Taneev |
|---|---|
| Author / Organization | Binder, Max |
| Subject & Discipline | Composition; Musicology; Music theory; Counterpoint; Comparative analysis |
| Categories | Open Access Books |
| Publication Year | 2026 |
| License / Rights | Open Access / Creative Commons |
| Resource Verification | Listed PDF (Verification Pending) |
| Original Host Website |
Directory of Open Access Books
(www.doabooks.org)
|
| File Format | application/pdf (Portable Document Format) |
| Language | EN |
| Catalog ID | DOC-169321 |
| Original Source Link | Visit Source Page on www.doabooks.org » |