Motetten am Hof Maximilians II. (1527–1576)
Overview & Synopsis
In the present volume sacred motets composed by members of the chapel of the Archduke and later Emperor Maximilian II – among them Jacobus Vaet, Philippe de Monte and Jacob Regnart – are documented and analysed for the first time. The chapel and its repertoire cultivated at the court not only served as a means for the representation of the court but also needed to comply with the emperor’s personal artistic and religious wishes. Maximilian II officially confessed to the Roman-Catholic church but personally sympathised with the Reformation. Therefore, the analysis of the texts and music addresses also the question of how the gap between the Roman-Catholic ceremony at court and the emperor’s personal faith is reflected in motets.
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Document Information
| Document Title | Motetten am Hof Maximilians II. (1527–1576) |
|---|---|
| Author / Organization | Pfohl, Jonas |
| Subject & Discipline | Renaissance, Polyphonie, Motette, Habsburger, Maximilian II., Konfessionalisierung, Quellenstudien |
| Categories | Humanities & Social Sciences |
| Publication Year | 2022 |
| License / Rights | Open Access / Creative Commons |
| Resource Verification | Listed PDF (Verification Pending) |
| Original Host Website |
OAPEN Library
(www.oapen.org)
|
| File Format | application/pdf (Portable Document Format) |
| Language | EN |
| Catalog ID | DOC-30708 |
| Original Source Link | Visit Source Page on www.oapen.org » |