Chapter 7 Conclusion
Overview & Synopsis
The notion that photographs are the products of biases and hidden agendas is nothing new. Photographs have presented Argentina’s Proceso as a source of peace and stability, Canada’s residential schools as agents of successful assimilation and the Extraordinary Chambers in the Courts of Cambodia as an unimpeachable force for justice. Photography has proven a valuable partner in these endeavours. Photographs provide evocative visual, temporal and material links to the past that allow them to be used as evidence, affirmations of different types of truth, political critique, and individual and shared historical narratives. Contemporary patterns of international photography education, exhibition, theorization and publication reaffirm the critical necessity of bringing a deterritorialized perspective to national case studies. Contemporary photographers are deterritorializing their responses to human rights abuses by forging connections between different historical events across time and space.
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Document Information
| Document Title | Chapter 7 Conclusion |
|---|---|
| Author / Organization | Miles, Melissa |
| Subject & Discipline | history of photography, art history, visual studies |
| Categories | Humanities & Social Sciences |
| Publication Year | 2022 |
| License / Rights | Open Access / Creative Commons |
| Resource Verification | Listed PDF (Verification Pending) |
| Original Host Website |
OAPEN Library
(www.oapen.org)
|
| File Format | application/pdf (Portable Document Format) |
| Language | EN |
| Catalog ID | DOC-171173 |
| Original Source Link | Visit Source Page on www.oapen.org » |