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In the late 1950s, Suzuki Seijun was an unknown, anxious low-ranking film director churning out so-called program pictures for Japan’s most successful movie studio, Nikkatsu. In the early 1960s, he met with modest success in directing popular movies about yakuza gangsters and mild exploitation films featuring prostitutes and teenage rebels. In this book, Peter A. Yacavone argues that Suzuki became an unlikely cinematic rebel and, with hindsight, one of the most important voices in the global cinema of the 1960s. Working from within the studio system, Suzuki almost single-handedly rejected the restrictive filmmaking norms of the postwar period and expanded the form and language of popular cinema. This artistic rebellion proved costly when Suzuki was fired in 1967 and virtually blacklisted by the studios, but Suzuki returned triumphantly to the scene of world cinema in the 1980s and 1990s with a series of critically celebrated, avant-garde tales of the supernatural and the uncanny. This book provides a well-informed, philosophically oriented analysis of Suzuki’s 49 feature films.
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Heaviness in Metal Music Production, Volume I: How and Why It Works provides an in-depth analysis of the art and craft of producing heaviness, the fundamental musical quality in metal music. Using primarily ethnographic research which draws on interviews and engineering documentation from various producers across different generations, the distinguishing feature of the study is the song ‘In Solitude’, which was written, recorded, and produced by the researchers themselves. Written by practising musicians, producers, and experts in music technology and musicology, this book offers a comprehensive understanding of the interplay between structural, performative, and technological components of a metal recording; the perceptual and discursive factors determining heaviness; and the relationship between creative freedom and technical demands in contemporary metal music production. Heaviness in Metal Music Production is a rigorous academic study that advances the field of metal music production research through an innovative and methodologically robust approach. At its core is an unprecedented experiment in which eight leading producers each mixed the same song, with their processes meticulously documented and analysed through in-depth interviews. This study not only provides unique insights into the conceptualizations and craft of heaviness in metal music production but also sets a new standard for empirical research in the discipline. As a result, it serves as a vital resource for scholars, researchers, and students in audio engineering and metal music studies, making it essential supplementary reading for advanced undergraduates, postgraduates, and academics engaged in these fields. This two-volume set offers a well-rounded insight into the production of heaviness in theory and practice. The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution (CC-BY) 4.0 International license.
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Viele Musiker*innen wie Sting, Don Henley oder Neil Young verschrieben sich im Laufe ihrer Karriere der Umweltbewegung und trieben ihre Projekte in Kooperation mit unterschiedlichen Akteur*innen voran. Mithilfe einer diskurs- und performanceanalytischen Methodik legt Dominik Joss zentrale Strategien und Kommunikationsprozesse umweltpolitisch aktiver Künstler*innen vor und zeigt, wie und unter welchen Bedingungen Musiker*innen öffentliche Diskussionen zu umweltpolitischen Themen aufgreifen und beeinflussen können. Seine Analyse zielt primär auf die Schnittstelle zwischen Umwelt- und Kulturgeschichte, bietet aber auch neue Perspektiven für musik- und politikwissenschaftliche Fragestellungen.
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The Nazis’ persecution of the Jews during the Holocaust included the creation of prisoner hierarchies that forced victims to cooperate with their persecutors. Many in the camps and ghettos came to hold so-called “privileged” positions, and their behavior has often been judged as self-serving and harmful to fellow inmates. Such controversial figures constitute an intrinsically important, frequently misunderstood, and often taboo aspect of the Holocaust. Drawing on Primo Levi’s concept of the “grey zone,” this study analyzes the passing of moral judgment on “privileged” Jews as represented by writers, such as Raul Hilberg, and in films, including Claude Lanzmann’s Shoah and Steven Spielberg’s Schindler’s List. Negotiating the problems and potentialities of “representing the unrepresentable,” this book engages with issues that are fundamental to present-day attempts to understand the Holocaust and deeply relevant to reflections on human nature.
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Zur Regulierung von politischen und sozialen Konflikten werden Menschenrechte oft als normative Leitidee ins Spiel gebracht. Insbesondere in den letzten beiden Jahrzehnten hat sich gezeigt, wie heterogen die Aufgaben sind, zu deren Bewältigung Menschenrechte herangezogen werden: Sie reichen von der Bedrohung des internationalen Terrorismus über die kulturelle Identitätsbehauptung als Bestandteil sozialer Spannungen bis zu neuen Formen der Meinungsäußerung durch soziale Medien. Hinzu kommt, dass es auch die Menschenrechte selbst sind, die Konflikte auslösen oder vertiefen. Der Band versammelt Beiträge, die die Anwendungsrelevanz der Menschenrechte in Situationen des inner- und zwischenstaatlichen Widerstreits aus interdisziplinärer Perspektive diskutieren: Wie lösen Menschenrechte Kulturkämpfe aus und wie können diese mit ihnen beendet werden? Gibt es eine Pflicht zur humanitären Intervention? Unter welchen Bedingungen darf das Menschenrecht auf Meinungsäußerungsfreiheit eingeschränkt werden? Welche Prinzipien sind die normativen Grundlagen des internationalen Menschenrechtsregimes? Mit Blick auf solche Fragen zeigen die Autorinnen und Autoren die Relevanz von Menschenrechten im Konflikt auf und verdeutlichen, weswegen jene selbst Gegenstand des Konflikts sind.
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This volume contains the contributions from the XXXIX Forum Junge Romanistik 'Critical Perspectives in Romance Philology', which took place from March 20 to 22, 2024, at the University of Hamburg. Philological studies have historically played an important role in the research of Romance languages, cultures, and literatures. However, in these times of sociocultural change and increased sensitivity toward injustice and diversity, it is essential to direct critical perspectives toward our discipline. Romance philology can and must serve as a tool to question existing assumptions, uncover hidden narratives, and contribute to a more inclusive representation of the cultural sphere being investigated. In this sense, Romance philology and its students assume a social responsibility regarding justice and democratic education on a global level.
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This essay is a contribution to the tribute given to David-Maria Sassoli, highlighting the human values that characterized his presidency of the European Union, namely democracy and freedom, peace, solidarity, which are the fundamental pillars for the construction of the future Europe based on the cultural diversity of each member state.
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The authors examine the form and dynamics of self-learning processes within the institutional contexts of professionalization in teacher education.
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Dissemination of knowledge is the best and only strategy capable of improving clinical management in rare and ultra-rare malignancies, including primary adrenal malignancies. It is preliminary to any further healthcare policy such as, for example, the centralization of cases in referral institutions. Adrenal primary malignancies are probably the rarest among rare pathologies. This epidemiological consideration is at the origin of a vicious circle: the lack of preoperative diagnosis leads to inappropriate surgical procedures and to inadequate follow-up and systemic therapy strategies. Furthermore, when malignancy is recognized, the relative role of systemic, surgical, or other local ablative techniques is often misinterpreted. All this produces a negative impact on survival, also in patients who could have been cured with a correct therapeutic strategy. This open access book provides a user-friendly exploration of these rare conditions, using a transversal approach common in modern precision medicine. The text covers various clinical aspects, including epidemiology, genetics, molecular medicine, imaging, and surgery. Guidelines for managing syndromic situations are provided. The book thoroughly addresses all the different surgical issues and emphasizes the importance of pathology in assessing prognosis. The pivotal role of medical oncologists in managing these patients is explored, along with alternative treatments such as nuclear medicine and radiotherapy. Finally, the book highlights the latest preclinical research and its implications for translational medicine.
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The essay focuses on Trentin's theoretical elaboration and action in the European Parliament. Starting with his involvement in the "Spinelli Group," it analyzes the relationship between work and knowledge conceived as an in-depth study of the Lisbon program from the perspective of labor and its transformations. The socio-economic program, which was supposed to become an essential part of the program of the European Socialists for the 2004 elections, on which Trentin works, is analyzed in relation to his coeval writings (La libertà viene prima (2004) and the Keynote Lecture given at Ca'Foscari in 2002). The essay highlights the link between knowledge economy, lifelong learning, elements of socialism and analyzes the tools envisaged for the strengthening of a transparent economic governance, at the European level, in dialogue with the social partners capable of leading to a federal socialism.
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This Open Access book presents the current state of the art knowledge on social and affective neuroscience based on empirical findings. This volume is divided into several sections first guiding the reader through important theoretical topics within affective neuroscience, social neuroscience and moral emotions, and clinical neuroscience. Each chapter addresses everyday social interactions and various aspects of social interactions from a different angle taking the reader on a diverse journey. The last section of the book is of methodological nature. Basic information is presented for the reader to learn about common methodologies used in neuroscience alongside advanced input to deepen the understanding and usability of these methods in social and affective neuroscience for more experienced readers.
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The here collected contributions relating to the 46th International Conference of the Representation Disciplines Teachers, organized jointly by Sapienza University of Rome, Roma Tre University, and San Raffaele Roma University, aim to offer the scientific community a reflection on the theoretical and methodological aspects related to the concept of èkphrasis, a term that, in the field of representation, concerns descriptive, analogical, and digital activities that generate new knowledge in several areas of application. The Conference aims to place at the center of the discussion an interpretation of the concept of research that, without neglecting an idea of study, protection, and enhancement of environmental and cultural heritage, focuses on the needs of contemporary society and its possible developments, making use of innovative theoretical, methodological, and operational activities, including those characterized by an interdisciplinary approach. According to this interpretation, research can also be seen as a foreshadowing of the definition and testing of experimental proposals aimed at exploring new areas of investigation: this opens up imaginative and utopian perspectives in the relationship between the sciences, the arts, and the disciplines that contribute to common goals, through the experimentation of methods, techniques, and languages for conceiving, prefiguring, designing, and representing.
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We face many challenges in the 21st century, such as sustainably meeting the world's growing demand for energy and consumer goods. I believe that new developments in science and technology will help solve many of these problems. Nanofabrication is one of the keys to the development of novel materials, devices and systems. Precise control of nanomaterials, nanostructures, nanodevices and their performances is essential for future innovations in technology. The book 'Nanofabrication' provides the latest research developments in nanofabrication of organic and inorganic materials, biomaterials and hybrid materials. I hope that 'Nanofabrication' will contribute to creating a brighter future for the next generation.
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Cette recherche a pris forme avec l’ambition initiale de comparer le travail du métal à Alep dans les ateliers encore en place entre 2004 et 2009, avec les mêmes activités à d’autres époques en milieu urbain. La présente publication porte essentiellement sur le volet contemporain. La métallurgie traditionnelle actuelle constitue un système d’éléments en interaction dans la ville : les auteurs croisent ici les aspects techniques (les processus de fabrication) et fonctionnels (l’organisation du travail dans l’atelier et les attitudes corporelles), avec une réflexion sur l’organisation générale de l’espace en rapport avec des considérations culturelles et sociales et avec le fonctionnement des pouvoirs urbains. Cet ouvrage s’intéresse en premier lieu à des ateliers sis dans des souks anciens : forgerons, artisans du cuivre et du bronze, étameurs. Une des questions que pose cette activité porte sur les modes d’intégration de la nouveauté aux savoir-faire et aux fonctionnements hérités, par exemple sur les attitudes du travail et le rapport au sol : travailler assis au sol, assis sur un siège, debout ? La fonderie de fer, d’acier, de fonte, plus moderne, se trouve dans des ateliers plus vastes, dans des zones d’activité officielles ou informelles en périphérie. Ces ateliers font partie d’une autre économie en développement. Le passage de la petite métallurgie traditionnelle du souk aux ateliers moyens semi‑industrialisés, bien plus qu’un déplacement géographique, ne constitue-t-il pas un changement de nature ? Les enquêtes menées par les auteurs à Alep avant 2011 ainsi que leurs photographies et illustrations, enregistrent des activités disparues dont les locaux situés près d’une ligne de front ont servi de champ de bataille et ont été pillés et détruits : leurs témoignages, présentés dans cet ouvrage, possèdent donc essentiellement une valeur patrimoniale.