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The first study of this volume looks for reminiscences of Dies Irae in Chopin’s works. A great number of allusions and affinities are found in the preludes as well as in Chopin’s output. The study also yields insights in...
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In what ways can analytic reection be of avail when engaging in music as a musician? What restrictions of the interpreter’s freedom do musical scores impose? Which licences do musicians in fact allow themselves? Can hier...